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Books in Music

The music collection encompasses theory, history, ethnomusicology, and contemporary practice, providing a rich resource for musicians, researchers, and students. Covering musical traditions, performance practices, and technological innovations, it supports exploration of cultural contexts and creative expression. These materials promote interdisciplinary understanding and innovation within the vibrant field of music.

  • The Psychology of Music

    • 3rd Edition
    • October 29, 2012
    • Diana Deutsch
    • English
    The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music.

  • Vocal Rescue

    Rediscover the Beauty, Power and Freedom in Your Singing
    • 1st Edition
    • January 6, 2005
    • Lois Alba
    • English
    "Lois Alba is a master teacher, ...I have never seen a vocal instructor who got such remarkable results in such a short time." - Irene Dalis, General Director, Opera San Jose Achieving a successful singing career, especially in opera, can seem almost impossible to many singers because of fear of high notes, lack of projection, and confusion on how to express the music unhampered by technical preoccupation. Master Teacher and accomplished opera singer Lois Alba is aware of these pitfalls. She knows the best teaching involves an acute sense of the art form based on sound, intuition and imagery. The focus comes from the mind. It is interpreted through the ear and the body. When the body and mind come together harmoniously the result is beautiful sound. In this clear and legible guide, Lois Alba shares her formidable experience, voice training insight, and philosophical wisdom about the creative nature of singing. She works to de-program the singer as to the many myths about singing û recurring themes that flood vocal studios and ultimately damage voices. Vocal Rescue is an amalgamation of many precepts from a large library of rare treatises and the concepts outlined come from the fine art of vocal mastery known as bel canto. The text provides a seven step system that demystifies the secrets to beautiful singing, and promises to take all singers to a new level of technical proficiency and expression. Recorded illustrations on CD/DVD demonstrate the vocal principles with lessons and vocalises for singers in all voice ranges to follow. The author's website can be found at www.loisalba.com

  • Psychology of Music

    • 2nd Edition
    • September 29, 1998
    • Diana Deutsch
    • English
    The aim of the psychology of music is to understand musical phoneomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the first edition was written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. The book is intended as a comprehensive reference source for both musicians and psychologists.

  • The Science of Musical Sounds

    • 1st Edition
    • December 11, 1991
    • Johan Sundberg
    • English
    This book is concerned with the scientific aspects of musical sounds. It presents basic acoustics, auditory theory, and sound generation from both a theoretical and a practical view. Room acoustics, sound analysis, recording and reproduction, and sound synthesis as well as cognition are examined from the perspective of music.