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1st Edition - January 15, 2019
Author: Peter Q. Pfordresher
Sound and Action in Music Performance addresses how auditory feedback influences the planning and execution of our movements. Focusing specifically on auditory feedback in music,… Read more
LIMITED OFFER
Immediately download your ebook while waiting for your print delivery. No promo code is needed.
Sound and Action in Music Performance addresses how auditory feedback influences the planning and execution of our movements. Focusing specifically on auditory feedback in music, including instrumental and vocal production, the book also gives substantial coverage to its role in speech. Both of these behaviors are the primary means by which people communicate their thoughts and feelings through the auditory modality, with auditory feedback being critical in each case. The book proposes that the role of auditory feedback emerges from the broader theme of coordination as our brain coordinates planned actions with concurrent perceptual events, including auditory feedback and other intrusive sounds.
Critically reviewing the existing literature and proposing hypotheses for future research, this book tackles a topic that has intrigued researchers for decades.
Researchers in psychology, neuroscience, human factors, music theory, music education, and communication science. Also might be of interest to cognitive scientists
1. Setting the Stage2. Do We Need Auditory Feedback? If Not, Why Not? 3. Binding Perception and Action in Time4. Binding Planned Actions to Their Consequences5. Timing Versus Sequencing in Music6. Effects of Musical Training7. Use of Sound in Speech Versus Music8. Auditory Feedback and Higher Cognitive Functions9. Coordinating With Others
PP