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Digital Photographic Capture
- 1st Edition - April 22, 2005
- Authors: Glenn Rand, David Litschel, Robert G. Davis
- Language: English
- eBook ISBN:9 7 8 - 0 - 0 8 - 0 4 7 7 3 1 - 2
The major function of photography is to capture a picture from what is in front of you. Whether a picture of the family pet or advertising spread, the acquisition of the scene is… Read more
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Request a sales quoteThe major function of photography is to capture a picture from what is in front of you. Whether a picture of the family pet or advertising spread, the acquisition of the scene is the first step in the digital image process. Digital Photographic Capture takes that first step and it breaks it down in detail so you can understand and better manipulate the mechanics of the process.
As we transition from the silver halide base of photography to an electronic enabled future, we can step to the side and look at the intersection of these processes. Today it is not that one is superior in all situations, but that in the imaging world hybrid imaging maintains uses in unique applications and has certain advantages.
Digital Photographic Capture explores construction and functions of the various parts and processes used to capture images. Sensors, lenses, creation, storage, and hybrid imaging are all broken down into basic explanations, enabling the photographer to have a basic understanding of the photography today. This is your new introduction to photography.
As we transition from the silver halide base of photography to an electronic enabled future, we can step to the side and look at the intersection of these processes. Today it is not that one is superior in all situations, but that in the imaging world hybrid imaging maintains uses in unique applications and has certain advantages.
Digital Photographic Capture explores construction and functions of the various parts and processes used to capture images. Sensors, lenses, creation, storage, and hybrid imaging are all broken down into basic explanations, enabling the photographer to have a basic understanding of the photography today. This is your new introduction to photography.
* Discusses capture for cameras, scanners, and non traditional imaging devices.
* Learn how the design and functions of sensors effect the way light is captured.
* Explore lens dynamics needed for digital cameras and how optics create the "telephoto" effect with digital cameras.
* Learn how the design and functions of sensors effect the way light is captured.
* Explore lens dynamics needed for digital cameras and how optics create the "telephoto" effect with digital cameras.
Serious photographic and imaging educational programs as well as the advanced amateur.
Contents
Introduction
1. Why Digital
2. Capture Devices
Cameras
a. Point and Shoot
b. Prosumer
c. Professional
d. Camera Backs
i. Area Array
ii. Scanning Backs
Scanners
i. Flatbead
ii. Film Scanners
Other capture devices
3. Sensors
a. Basic of sensor technology
i. Manufacture
ii. Parts of common sensor
i) Silicon Photodiode
ii) Doping
iii) Micro lenses
iv) Filters
b. CCD
c. CMOS
d. Energy requirements
e. Effective color range
f. Dynamic Range
4. Lenses (modified from 2e)
Also
i. Lens dynamics
ii. Telephoto effect
5. Image Creation
a. Electronic sequencing
b. Capture
c. Getting the charge from the photodiode
Quantization
e. Sampling
f. Interpolation of color
i. Color depth
g. Interpolation of file size
6. Exposure (modified from 2e)
a.
7. Digital Capture Workflow
8. Files and Storage
a. Raw files
b. File types
c. Compression
d. Storage media
9. Image Adjustment
a. Brightness levels
b. Curves
c. Color Balance
10. Hybrid Imaging
a. Film to digital
b. Advantages
Glossary
Introduction
1. Why Digital
2. Capture Devices
Cameras
a. Point and Shoot
b. Prosumer
c. Professional
d. Camera Backs
i. Area Array
ii. Scanning Backs
Scanners
i. Flatbead
ii. Film Scanners
Other capture devices
3. Sensors
a. Basic of sensor technology
i. Manufacture
ii. Parts of common sensor
i) Silicon Photodiode
ii) Doping
iii) Micro lenses
iv) Filters
b. CCD
c. CMOS
d. Energy requirements
e. Effective color range
f. Dynamic Range
4. Lenses (modified from 2e)
Also
i. Lens dynamics
ii. Telephoto effect
5. Image Creation
a. Electronic sequencing
b. Capture
c. Getting the charge from the photodiode
Quantization
e. Sampling
f. Interpolation of color
i. Color depth
g. Interpolation of file size
6. Exposure (modified from 2e)
a.
7. Digital Capture Workflow
8. Files and Storage
a. Raw files
b. File types
c. Compression
d. Storage media
9. Image Adjustment
a. Brightness levels
b. Curves
c. Color Balance
10. Hybrid Imaging
a. Film to digital
b. Advantages
Glossary
- No. of pages: 232
- Language: English
- Edition: 1
- Published: April 22, 2005
- Imprint: Focal Press
- eBook ISBN: 9780080477312
GR
Glenn Rand
Dr. Glenn Rand received his Bachelor and Master of Arts from Purdue University with a Doctorate from the University of Cincinnati. He did further research as a Visiting Scholar at the University of Michigan. Photographs by Dr. Rand are in the collections of over twenty museums in the United States, Europe and Japan where his work has also been extensively exhibited. He has published and lectured about photography internationally. Publications include many articles, several books for industry and "Black and White Photography 2e," with co-author David Litschel. His consultant clients have included the Eastman Kodak Company, Ford Motor Company, Photo Marketing Association International, the Ministry of Education of Finland as well as many other businesses and several colleges. Presently, he teaches in the graduate program at Brooks Institute of Photography in Santa Barbara, California. Glenn Rand has taught and administrated at colleges and universities for 36 years.
Affiliations and expertise
Professor in the graduate program at Brooks Institute of Photography in Santa Barbara, California.DL
David Litschel
David Litschel is the Provost of Brooks Institute of Photography. He received his Bachelor of Fine Art from the University of Colorado and his Masters of Fine Arts from the University of Michigan. He has taught and worked in photography for more than 20 years. He has written, exhibited his photographs and published.
Affiliations and expertise
Provost at the Brooks Institute of Photography in Santa Barbara, CA.RD
Robert G. Davis
Dr. Robert Davis was the first Digital Technical Sales representative for the Eastman Kodak Company. In his role at Kodak he was involved in the marketing of digital products. Since leaving Kodak he has been involved in various educational endeavors including teaching digital imaging to the FBI and other law enforcement agencies. He has also set up educational programs at community colleges and has been a lecturer in the field.
Affiliations and expertise
Teacher of digital imaging techniques. Projects include teaching digital imaging to the FBI and other law enforcement agancies.